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Cast mineral cabinetActive crossoverRoom correctionReplaceable driversUncompressed wirelessTen-year partsCast mineral cabinetActive crossoverRoom correctionReplaceable driversUncompressed wirelessTen-year parts
The idea
A speaker should be an object, not an appliance
Most speakers are a box with a grille, designed to be ignored. We wanted the opposite: something with weight and a surface worth touching, that also happens to measure well.
The soft shapes are not decoration. A cast enclosure with no parallel walls and no panel joins is quieter than an assembled one, and it happens to look like something you would keep.
One acoustic voicing across every product
Every wearing part replaceable with a screwdriver
Correction measured in your room, not assumed
Ten years of spare parts after a model retires
The range
Four objects that belong together
Buy one and it works alone. Buy another and the Hub makes them one system, delay-matched and voiced identically.
Bookshelf
Sculpt One
£690
The reference of the range. A two-way sealed cabinet that disappears into a shelf and stops behaving like furniture the moment it plays.
Drivers
110mm mid-bass, 25mm dome
Response
48Hz – 22kHz
Amplifier
2 × 50W Class D
Cabinet
Cast mineral composite
Floorstanding
Sculpt Room
£1,480
The same voicing with the low end intact. A ported column tuned to sit near a wall, because that is where people actually put them.
Drivers
2 × 130mm bass, 90mm mid, 25mm dome
Response
32Hz – 22kHz
Amplifier
3 × 60W Class D
Cabinet
Cast mineral composite
Headphones
Sculpt Close
£420
Open-backed, voiced to the same curve as the speakers, so mixing on one and listening on the other agree with each other.
Driver
46mm planar magnetic
Response
12Hz – 40kHz
Impedance
32Ω
Weight
328g
Source
Sculpt Hub
£340
The thing everything else connects to. Roon-ready, AirPlay 2, and a physical volume wheel because a phone is a bad remote.
Inputs
Optical, coax, USB-C, analogue
DAC
32-bit / 384kHz
Network
Wi-Fi 6E, Gigabit ethernet
Latency
18ms end to end
Why it sounds like this
The engineering under the surface
Nothing here is exotic. It is the set of decisions you make when the cabinet is cast rather than assembled and every driver has its own amplifier.
Room correction that measures
Six microphones sweep the room on setup and again whenever the Hub notices the response has drifted. Correction is applied in the analogue domain, after the DAC.
±1.5dBin-room deviation, 100Hz–10kHz
A cabinet with no parallel walls
Cast in a mineral composite rather than assembled from panels, so there is no seam to buzz and no internal standing wave to damp out afterwards.
0panel joints in the enclosure
Crossover in the digital domain
Each driver gets its own amplifier and its own filter, which removes the passive crossover and the phase error that comes with it.
3independent amplifier channels
Wireless that is not lossy
Speakers talk to the Hub on a dedicated 5GHz link rather than Bluetooth, so the signal that reaches the driver is the one that left the source.
24/192wireless, uncompressed
Standby that is honest
Under half a watt asleep, and it actually sleeps: no listener, no telemetry, no keeping the network awake.
0.4Wmeasured standby draw
Designed to be opened
Eight screws to the driver, four to the amplifier board. Both are stocked as spare parts for ten years from the day a model is discontinued.
10yrspare-part commitment
Questions
What people ask before buying
Not for one pair. Every speaker takes optical, coax and analogue directly. The Hub matters when you add a second pair or want room correction across a whole space, because that is where delay compensation and a shared measurement live.
Contact
Tell us about the room
Dimensions, what is on the floor, and where you would like them to go. We will tell you which pair, or that you do not need the bigger one.