Six long collaborations

Editorial

A 220-page magazine about doing less, better. Set in a single typeface across four weights, with a grid you can feel but never see.

Identity

An identity for a coastal ceramicist, drawn from the marks a kiln leaves. The wordmark took eleven versions; the eleventh was the first one, refined.

Book design

A series of essay collections where the footnotes are the design. Reading them is meant to feel like being lent someone’s annotated copy.

Art direction

Ten years of environmental research turned into an exhibition and a book, art-directed so the data never once got in the way of the story.

Identity

A civic identity flexible enough for nine departments and strict enough that none of them could make it ugly.

Editorial

A wine merchant’s annual, printed letterpress, where the tasting notes are set like poetry because, read aloud, that is what they are.